Built by the Practitioner. Thirty Years. Off-Grid. By Hand.
Energy instruments and radionics research. Made in a shielded studio in Valle del Lunarejo, Uruguay.
I spent twenty years at sea on three boats I designed and built myself, one arm paralyzed, crossing oceans and learning one thing: build it right, or the sea finds out.
I came ashore in Valle del Lunarejo National Park in Uruguay, a UNESCO Biosphere Reserve with no measurable electromagnetic fields. I built a studio here. Then I got to work on something I had been studying for more than thirty years.
Everything I make starts with research. Radionics, dowsing, BioGeometry, subtle energy field geometry. I use these tools daily. The instruments I build are the result of applying that knowledge by hand, in a space where the field is clean.
Lunarejo Harmonic Tools: The Instruments
I build four instruments under the Lunarejo Harmonic Tools collection. Each one is hand-assembled in the studio. Each one is programmed using the LRI-ULTRA (Life Resonance Instrument, a precision subtle energy tool developed by Nick Franks). No production line. No outsourcing.
The collection includes the Radionic Harmonizer Cube (granite, three sizes, with a Lakhovsky antenna and tensor ring), the Coherent Field Plate (200mm dual-sided disc, granite or wood), LRC Rate Cards (laser-engraved anodized aluminum radionics cards), and the Lunarejo Talisman Pendant (60mm aluminum, sacred geometry encoding).
What makes them different is not a marketing claim. The studio has no measurable EMFs. I have used these instruments myself for years. I dowse every piece before it leaves. The building environment is part of the instrument.
See the full collection at lunarejo.studio
Research and Radionics
I have worked in subtle energy research for more than thirty years. My main tools are the LRI-ULTRA (Nick Franks lineage), the Universal Pendulum system from BAJ, and BioGeometry instruments developed by Ibrahim Karim.
I use radionics for analysis, distance treatment, and remedy synthesis. I use dowsing to verify field quality in spaces and in the instruments I build. BioGeometry gives me a geometric framework for understanding how shapes and proportions carry energy quality.
This section is where I share what I have learned: how these systems work, how I apply them, and what thirty years of daily practice looks like in a working studio.
About
Austria. Asia. Three oceans. One national park in Uruguay. If you want to know how all of this connects, start here.
This is a working studio, not a wellness brand. The instruments are real. The research is ongoing. Have a look around.
Contact: studio@petermican.com
