More Than Thirty Years of Research

Every instrument I build comes from a body of research I have been developing for more than thirty years. This page explains that research: what it is, which tools I use, and why the studio environment itself matters.

The instruments at lunarejo.studio are not designed by committee or manufactured at scale. They come from daily practice in a working research environment. This is that environment.

Radionics and the LRI-ULTRA

Radionics is the study and practice of working with subtle energy fields using precision instruments. It operates on the principle that every living system has an energetic signature, and that those signatures can be analyzed, communicated with, and influenced at a distance.

My primary instrument for this work is the LRI-ULTRA (Large Radionic Instrument, a precision radionics tool developed by Nick Franks). Nick Franks holds the MRadA qualification from the Radionic Association in the UK and is the author of "21st Century Radionics." He designed the LRI family of instruments: the LRI-ULTRA for analysis and remedy synthesis, and companion instruments for broadcasting and continuous field generation.

The LRI-ULTRA serves three functions in my studio. First, I use it for in-depth analysis of subtle body systems, working from five color-coded charts that cover the full range of energetic anatomy. Second, I use it for distance treatment, where a hair sample serves as the link to the client. Third, I use it to synthesize remedy patterns, identifying and encoding the energetic equivalent of homoeopathic, gem, flower, herb, and plant remedies.

Every instrument I build receives a final LRI-ULTRA programming session before it leaves the studio. This is not a ceremonial step. It is the last quality check in the production sequence, and it is part of what makes each piece a functional instrument rather than a decorative object.

BioGeometry and Harmonic Proportions

BioGeometry is a design science developed by Egyptian architect and researcher Dr. Ibrahim Karim (Dr.Sc., Ph.D.). Its central premise is that geometric forms emit specific energy qualities, measurable using calibrated radiesthetic instruments.

By working with specific proportions, angles, and harmonic relationships, it is possible to introduce balancing energy qualities into objects and environments. This is not mysticism. It is a geometric framework, the same way acoustics is a framework for understanding how shapes affect sound.

I integrate harmonic proportion principles into every studio creation. The dimensions of the instruments, the placement of design elements, the geometric relationships between components: all of these decisions follow the same proportional logic. The result is an object that does not just look coherent. It measures as coherent, using the same radiesthetic tools I use for all analysis work.

This studio is not affiliated with BioGeometry Energy Systems Ltd. Peter's designs are original works that apply harmonic proportion principles as a personal design discipline.

Radiesthesia and Dowsing

Radiesthesia is the practice of detecting subtle energy qualities using calibrated instruments: pendulums, rod antennas, and similar sensors. Physical radiesthesia uses these instruments as objective measuring tools, responding to actual field conditions rather than to the operator's beliefs or expectations.

I have practiced radiesthesia for more than thirty years. My primary instruments include the Universal Pendulum system from BAJ and a set of BioGeometry pendulums calibrated to specific energy qualities. Additional I use the Aurameter to confirm the energy flow of each instrument. I use these to verify the energetic quality of finished instruments before they leave the studio, to assess spaces for geopathic stress and field coherence, and as the analytical backbone of all radionics work.

When I say I dowse every piece before it ships, I mean I sit with the finished instrument and measure it the same way I measure any other field condition: with a calibrated instrument, using a consistent protocol, looking for specific qualities. If a piece does not pass, it goes back for additional work.

The Studio as a Research Environment

The studio is located in Valle del Lunarejo National Park in Uruguay, a UNESCO-recognised biosphere reserve. It is fully off-grid. There are no measurable electromagnetic fields of human origin inside the building. No Wi-Fi, no mains power, no nearby infrastructure generating EMF pollution.

This matters because electromagnetic interference is not neutral for this kind of work. When you are programming a subtle energy instrument, performing radiesthetic analysis, or running an LRI-ULTRA session, field noise from artificial EMF sources introduces variables you cannot control. The clean field environment here is not an accident. It is a deliberate research condition, and it is part of every instrument I build.

The Instruments

The instruments built from this research are available at lunarejo.studio. Each one is hand-assembled in this studio, programmed with the LRI-ULTRA, and dowsed before shipping.

For questions about the research or the instruments: studio@petermican.com