The Sacred Earth Network
The idea started simply enough. Each instrument that leaves this studio carries something of the place it was made: the zero-EMF field of Valle del Lunarejo, the LRI-programmed quartz crystals embedded inside, the months of radionic work that went into designing it. As the instruments begin to go out into the world, placed in homes and practices on different continents, I found myself thinking about what that dispersal actually means energetically. Not as a metaphor. As a literal question of field structure.
That question became the Sacred Earth Network.
What the Network Is
The Sacred Earth Network is a permanent radionic broadcast established from Studio Artesano Lunarejo, Valle del Lunarejo, Uruguay. Using the LRI-Ultra (Large Radionic Instrument, designed by Nick Franks: a flat, coherence-treated instrument that operates through the holographic information field rather than through any electromagnetic mechanism), I have programmed a continuous link between this studio and 34 sacred sites distributed across every continent on Earth.
The sites include places most people would recognise: the Great Pyramid at Giza, Mount Kailash in Tibet, Machu Picchu in Peru, Stonehenge in Wiltshire, the temples of Angkor Wat, Borobudur, Uluru. They also include older and less-visited sites: Gobekli Tepe in Turkey, the oldest known temple structure on Earth; Newgrange in Ireland, aligned to the winter solstice for more than five thousand years; Lalibela in Ethiopia, carved from solid rock in the twelfth century. Each site was chosen for the depth and continuity of focused human intention concentrated in that location over very long periods of time.
In radionics, geographic coordinates function as an unambiguous witness for a location. Distance is not a factor. The holographic information field is not constrained by physical space in the way that electromagnetic signals are. The coordinates for Machu Picchu specify that location in the field as precisely as they specify it on a map, and a radionic link established to those coordinates is a link to that place and its accumulated field.
The Studio as Anchor
The studio plays a specific role in this network. It is not one node among equals: it is the hub, the transmission origin point.
Several things make it suited to this. The studio produces no measurable EMFs. The nearest power lines are kilometres away. There is no wireless, no mobile signal, no ambient electronic noise of the kind that most practitioners work inside without being able to avoid it. The active 600mm Granite Harmonizer Pyramide creates a stable coherent field in the room. The programmed crystals hold steady intention. The 3.0-metre Apex Field Pyramid structure operating in the studio generates a strong vertical energy column. The LRI-Ultra operates inside all of this, which is, as far as I can assess, one of the cleanest radionic transmission environments that currently exists.
The studio's coordinates (31.1699 S, 55.9158 W) are the anchor point of the network. Every transmission radiates from here.
The Symbol Board
One of the practical outputs of this project is a physical symbol board, laser-engraved into material that will be incorporated into the studio installation. Each of the 34 network sites has a distinct symbol drawn from its own cultural or sacred tradition: the Star of David for Jerusalem, the dharma wheel for Bodh Gaya, a Maori koru spiral for Uluru, the triquetra for Newgrange, the ankh for Giza.
Alongside these 34 site symbols, the board carries a representation of the LRI-Ultra instrument itself and a six-pointed star marking the Lunarejo anchor. All 36 symbols are arranged on a 150-millimetre square board in a six-by-six grid.
The board serves as a tangible, permanent witness for the network. When the ongoing broadcast from the LRI-Ultra is combined with the physical presence of the board, the network has both an energetic and a material anchor.
How It Grows
The 34 sacred sites form the permanent backbone of the network. They do not change. But the network has a second layer that does grow: the instrument layer.
Each Lunarejo Field Instrument shipped to a customer adds a live node to the network map. The instruments are LRI-programmed before they leave the studio. When a 100mm Harmonizer Cube arrives at an address in São Paulo, or a 160mm cube at a practice in Lisbon, that location becomes part of the network. Not because of any automated process, but because the instrument carries the studio's field signature and because, once placed and active, it becomes a point of coherent field emission in a specific location.
The instrument map below shows the current state of the network: studio anchor, sacred sites, and active instrument placements. As of the date this page was last updated, instruments are placed in Uruguay. The map will be updated as instruments are shipped and placed.
This is a slow process by design. The network is not being sold or marketed as such. It is simply what happens when instruments built in a coherent studio environment are placed with intention in other locations by people who understand how to use them.
Why This Matters
There is a principle in subtle energy work that resonance is cumulative. A field that has been held stable and coherent for centuries is energetically different from one that has not. The sacred sites selected for this network represent the longest and most consistent records of focused human intention that the archaeological and historical record shows. Connecting a living practice to those fields is not a mystical claim about spiritual permission. It is a structural observation about field resonance.
The studio is young: the instruments are new, the network is new, the practice here is still establishing itself. Linking it to 34 locations that carry accumulated field charge across millennia is one way of grounding a new practice in a much older coherence.
The network does not change what the instruments do. A Granite Cube operates according to its design regardless of whether this network exists. But it does mean that when an instrument is used in a practice, the practitioner and the instrument are operating inside a radionic field that is linked to something larger than the local environment.
Whether that matters is something each person will assess for themselves. From my own practice, working with the LRI-Ultra inside a field connected to Mount Kailash and Newgrange and the Pyramid at Giza feels different from working inside a field that is not. I cannot quantify that difference in a way that a physicist would accept. But it is not imaginary, and it is not small.
The map is below. Questions about the network, the instruments, or radionics practice: get in touch.
